Linda Thompson

Doktorand|Doctoral Student

I am a doctoral student in artistic practice with an emphasis on photography at HDK Valand at the University of Gothenburg in collaboration with Mid Sweden University.

The artistic research project, “Revision and the River” explores acts of witnessing and revision in documentary arts practice focused on storytelling places of environmental change.

Within documentary photography exists a tradition of care for social and environmental concerns through bearing witness and storytelling. Despite the good intentions of environmentally concerned documentary photographers challenges related to representation of the subject remain. At the same time, documentary photographic practice and artifacts have been, and still are used in colonial and extractive ways in the subjugation of both people as well as the more-than-human world. Recently, terms such as “decolonizing photography” or “environmental rephotography” have emerged describing the work of engaging in acts of revision with archives and past narratives.

Further developing place-based methods active in documentary arts practice, this project focuses on a site of environmental change and energy extraction. Specifically, by focusing on the iconic Nämforsen rapids-turned-hydropower-plant along the Ångermanälven River in Northern Sweden as a site of collective memory and imaginary potential. Nämforsen, the site of one of Europe’s largest concentrations of petroglyphs, is situated by the village of Näsåker and in the wintering grounds of the Voernese Sameby reindeer herding community. It was the site of the first of forty-four hydropower dam installations on the Ångermanälven watershed imposing barriers to reindeer herding routes as well as to wild salmon’s critical migration journey. It remains a popular destination for those wishing to experience its summertime free-flowing turistvatten or “tourist-waters” and simultaneously a site of extractive industry. Through environmental rephotography, montage, sequencing and other acts of revisionist storytelling, this research explores place-based documentary-arts practice as a form bearing witness to- and reimagining- the image of Nämforsen.


I am a practicing artist and educator based in Ångermanland, Sweden. I have a background both academically and professionally in photojournalism with a Bachelor of Arts from the University of Montana and a Master of Arts from Mid Sweden University. I am the author of three monographs dealing in different ways with the representation of migration through the documentary arts; In Place of Memory (Teg Publishing, 2016), Emigrant Memoir (Self-published, 2019) and Återvändarna / The Returners (Self-published, 2021). www.lindamthompson.com

Background

Bachelor of Arts in Journalism emphasis Photojournalism, University of Montana (2000)

Master of Arts in Photojournalism, Mid Sweden University (2014)

Area of interest

artistic practice, photography, photojournalism, documentary arts, environmental rephotography, plant-based photography, visual storytelling, migration, identity, representation

Research

In 2022 I began doctoral studies in artistic practice with an emphasis in photography at the Department of Design at Mid Sweden University in collaboration with HDK-Valand at the University of Gothenburg.

Between 2019-2022 I was a part of Miun Research Exhibition working with the theme "the forest and sustainability". The work is to result in a physical and virtual exhibition. www.miun.se/borealabilder

Teaching and tutoring

I teach in a variety of courses within the subjects of photography, graphic design and industrial design.

Other information

Exhibitions

For a complete list of solo and group exhibitions see www.lindamthompson.com 

Awards / Distinctions

  • Swedish authors fund, One-year grant
  • Göran Dahlbergs Award 2020
  • Winner Svensk Bokkonst 2019 / Swedish Book Art 2019
  • Konstnärsnämnden/Swedish Arts Council, one-year working grant 2019
  • Landstinget Västernorrland travel grant 2019
  • Semi-finalist Lange-Taylor Prize 2018
  • Helge Ax:son Johnsons Stiftelse 2017
  • Högsjö Hembyggdsförening culture award
  • Landstinget Västernorrland resebidrag 2017
  • Sveriges Författarfond “one year grant” 2016
  • Successful Kickstarter campaign 2016
  • Stiftelsen Längmanska Kulturfonden 2016
  • Sune Jonsson Award 2016
  • Alba Årets Fotograf / Alba Photographer of the Year, www.alba.nu
  • Nominee, TT:s Stora Fotopris 2015
  • Svenska Fotografers Förbunds travel and education grant 2015
  • Nominee, The 2014 Victor Fellowship in Photography – The Hasselblad Foundation

Catalogs and anthologies

  • Svensk Bokkonst 2019: 25 Utvalda Böcker, ISBN 978 91 7000 410 0
  • Published: Photo Books in Sweden, König, WaltherVerlag 2018. ISBN 978-3-96098-475-7
  • ArkDes Resumé #2 – Höra hemma: om det bostadspolitiska dilemma ISBN 978-91-87447-08-2
  • New Nordic Photography – The Victor Fellowships 10 Year Anniversary Issue, 2014 ISBN 978919769757-6
  • Planket 2014 – Angelägenheter ISBN 9789198196009

Represented in collectitons

  • Umeå Kommun Konstsamling (Municipal collection)
  • Västernorrland Läns Landsting (County collection)
  • Örebro Läns Landsting (County collection)

Selected press

Her website: www.lindamthompson.com 

Extra contact information

+46(0)70 229 4890

Publications

Articles in journals

Fagerholm, A. , Göransson, K. , Thompson, L. M. & Hedvall, P. (2023). Activism online : Exploring how crises are communicated visually in activism campaigns. Journal of Contingencies and Crisis Management, vol. 31: 4, pp. 1034-1043.  

Thompson, L. M. (2023). (In)visible powers : witnessing the ‘tourist-waters’ of Nämforsen. Cultural Geographies, vol. 30: 2, pp. 325-332.  

Thompson, L. M. (2023). Repeat Photography, Rephotography and the Redesign of the Riverscape. Membrana – Journal of Photography, Theory and Visual Culture, vol. 7: 1-2  

Thompson, L. M. (2018). Mementos of America : How Swedish-American Immigrants Used Photography to Assert Power over the American Landscape and Their Identities. Swedish-American Historical Quarterly, vol. 69: 1

Books

Thompson, L. M. (2021). Återvändarna / The Returners. Härnösand : Self-published

Thompson, L. M. (2019). Emigrant memoir. Self-published

Thompson, L. M. (2016). In place of memory. Teg Publishing

Chapters in books

Thompson, L. M. (2023). #agenda3020. In MIUN Research Exhibition : Utställningsproduktion i universitetsbibliotekets fysiska och webbaserade rum. Sundsvall : Mittuniversitetet (Skrifter från Mittuniversitetets bibliotek). pp. 73-80.

Thompson, L. M. (2023). In Passing. In MIUN Research Exhibition : Utställningsproduktion i universitetsbibliotekets fysiska och webbaserade rum. Sundsvall : Mittuniversitetet (Skrifter från Mittuniversitetets bibliotek). pp. 88-94.

Nordbäck, C. & Thompson, L. M. (2023). Reflektioner kring ett webbaserat utställningsprojekt. In MIUN Research Exhibition : Utställningsproduktion i universitetsbibliotekets fysiska och webbaserade rum. Sundsvall : Mittuniversitetet (Skrifter från Mittuniversitetets bibliotek). pp. 54-72.

Thompson, L. M. (2023). Storbröten. In MIUN Research Exhibition : Utställningsproduktion i universitetsbibliotekets fysiska och webbaserade rum. Sundsvall : Mittuniversitetet (Skrifter från Mittuniversitetets bibliotek). pp. 95-111.

Thompson, L. M. (2023). Written in the Trees. In MIUN Research Exhibition : Utställningsproduktion i universitetsbibliotekets fysiska och webbaserade rum. Sundsvall : Mittuniversitetet (Skrifter från Mittuniversitetets bibliotek). pp. 112-122.

Artistic output

Thompson, L. M. (2023). Konsten, Samhället och Miljön. Kulturmagasinet, Sundsvall :  

Nordbäck, C. , Thompson, L. M. & Asklund, H. (2021). Boreala bilder : om skog, tid och hållbar utveckling.  

Thompson, L. M. (2019). Emigrant Memoir. Umeå :

Thompson, L. M. (2019). Linda Maria Thompson : Emigrant Memoir. Missoula, Montana USA :

Thompson, L. M. (2019). Mellanplatser / Places in Between. Härnösand : Västernorrlands museum  

Thompson, L. M. (2016). In Place of Memory. Umeå :

Thompson, L. M. (2014). New Nordic Photography 2014 : group exhibition of Victor Fellowship nominees. Gothenburg :

Thompson, L. M. (2014). Vi och dom Andra / Us and Them (VODA). Umeå :

Conference papers

Thompson, L. M. (2023). artist presentation. Paper presented at the Networking North/Decolonizing Future, Bildmuseet, Umeå University, Umeå, november 9-10, 2023

Thompson, L. M. (2023). Documentary arts practice and revisionary acts. Paper presented at the Environmental Emergencies Across Media, Linnaeus University, 16-18 March, 2023  

Thompson, L. M. (2022). Witnessing Nämforsen. In Transformations '22 : artistic research in times of change. Luleå :

Göransson, K. , Fagerholm, A. & Thompson, L. M. (2021). Exploring how crises are visualized in design activism campaigns. Paper presented at the Needs2021, [DIGITAL], September 21-23, 2021.

Thompson, L. M. (2021). Seeing industrial violence over time : Rephotography and the environmental damages of log driving on the Ljusnan River in Sweden. In Environement : Archives & Wittnessing.

Thompson, L. M. (2018). Code-switching : strengths and perils of working in-between [research presentation]. Paper presented at the Vetenskapsrådets årliga symposium om konstnärlig forskning 2018, Piteå, Sverige, November 17-18, 2018.

Thompson, L. M. (2016). Materialities and the Photographic Moment : Reflections on a work-in-progress using an antique large-format view camera. In Helsinki Photomedia 2016.  

Thompson, L. M. (2014). Mementos of America : How Swedish-American Immigrants Used Photography to Assert Power over the American Landscape and Their Identities. Paper presented at the Helsinki Photomedia 2014  

The page was updated 11/24/2023